Showing posts with label Sashing. Show all posts
Showing posts with label Sashing. Show all posts

Wednesday, 17 May 2017

Robin Round One - Freddy Moran Style

Welcome back to the 'Rakish Needle Round Robin'. The first round has come and gone. I have worked on Ileana's starter block and now want to share a bit of the process here. Ileana, having been flooded out of her house twice (truly awful!), is currently hunting a new house to make home. As this is a big matter on her mind, she translated it into her starter block with the request to us to grow it 'Freddy Moran' style.


Browsing Freddy Moran’s work is fascinating to me. Her work is so colourful and warm and somehow life affirming. Normally, crazy colourful quilts make my eyes water and frazzle my brain but Freddy manages to strike a balance that keeps her work from being utterly overwhelming. I still would not want one of those quilts for myself but they are fascinating to study.

I am also quite pleased to firstly have been introduced to her work via this round robin and secondly have been afforded the chance to try my hand at piecing in her style. The latter is not as easy as it may sound. I am one of the quilters that always wants negative space to calm down a piece. I tend to shy away from placing colourful popping pieces right next to each other.




Thinking back, I so far always used a reduced colour palette, low volumes and/or white. The only exception are my ‘Double Square Stars’ that count as WIP and are currently on the backburner. Even there though the colours adhere to a pre-defined colour palette.

Ileana's House Hunt


Ileana on the other hand says, literally any fabric goes as long as you do not forget to include black and white along the way. In her starter block I made out the three primary colours Blue, Red and Yellow also often used by Freddy. Therefore, I decided to work from that basis. What else did I spy? Triangle shapes that led right to my ‘Flying Geese’ blocks. Ileana also asks for 'wonky-ish traditional blocks' and I decided to include off kilter ‘Churn Dash Blocks’ that would morph into flowers, which also can often be found in Freddy’s work. Here they were done in raw edge appliqué.



‘Churn Dash Blocks’ I had not done before. Also trying raw edge appliqué for the first time filled me with trepidation as, so far, I always had tucked the edges in and under. Phew! We live and learn. And my – what an amount of work appliqué is. =)



Cohesion how?


Generally, I aimed at maintaining cohesion of the overall piece, whilst introducing new elements my fellow sewists can pick up on.Please note the repetition of triangle shapes echoing the colour values of the starter on the left side. I also maintained the blue – lime green colour flow as introduced in Ileana’s starter block across the entire panel. Ileana's starter block worked with pictorial elements, which I re-introduced on the far right. I like how it looks.

























    For the last side panel on the far right, I would have needed much darker greens but alas my stash is pretty much void of true blues, greens and reds. I have already asked the remaining robin members to add a smaller dark green tree applique on top of the first one to create more contrast.

    Freddy Moran, Puppilalla, Round Robin Quilt, Raw Edge Applique, Rakish Needle Round Robin, Quilt Panel, Modern Quilting









    So what do you think? Does it work for you? Has the panel the potential to look a little ‘Freddy Moran’ like? I immensely enjoyed working on the piece combining traditional blocks with liberated quilting ideas. It is all a bit off-centre.  =)


    Freddy Moran, Puppilalla, Round Robin Quilt, Raw Edge Applique, Rakish Needle Round Robin, Quilt Panel, Modern Quilting




    All that remains is to send the piece to Norway for Anita to take over.
    I link up with 'Let's Bee Social'.







    Sunday, 8 January 2017

    Impromptu Pillowcase

    Literally, at the last minute I decided to make a little something extra for one of my aunts one day before Christmas. I had already intended to give her a bottle of white vinegar that I had infused with elderflowers earlier that year but as this particular aunt lives far off in Turkey most of the time, she is being a bit neglected as far as in-between flower bouquets and impromptu pieces of cake are concerned.







    Therefore, the Ghanaian cotton scraps seemed to be a fabulous choice in whisking up a last minute present. I used the big scraps to piece a pillowcase. To hide and secure the seams I lined it on the inside with a few of my less loved fat quarters. If I had more time, I might have framed it with bias tape but I am pleased with the outcome anyway.




    My aunt liked it alright so I will call it a win – especially in view of her still banging on about some fantasy themed poster I gave her when I was 14 (!), which she put on the wall in her apartment in Turkey. She showed me a picture of it there. (Ughh!) While I am sure that my gift was age appropriate at the time AND it being nice of her to honour my present - I’d rather she got rid of it now – 20 odd years later. Maybe I ought to buy her a new wall picture - one in accordance with my current tastes – ha ha. 




    Anyway, in view of the poster story I am certain that my pillowcase is in good hands and will be used. I am glad I made it.


    I link up with Scraptastic Tuesday =)

    http://www.shecanquilt.ca/2017/01/the-january-scraptastic-tuesday-link-is.html



    Sunday, 20 September 2015

    Simple Framed Squares Patchwork Quilt - Indian Summer



    Let me share with you the first bed sized patchwork quilt I made, which was a simple squares-within-squares separated by white borders affair. It is called 'Indian Summer'. 


    For this patchwork quilt that is now living on my sister’s living room couch, I went for warm autumn colours and bright contrasts. You will spy some Joel Dewberry and some Kaffe Fassett fabrics and many Polka Dots making up the simple framed squares.

    At the project planning stages I had initially included a green fabric in the colourway. It seemed to work well. But once I had laid out the fabric pieces for assembling the effect was downright noxious. That left me mid – project with not having enough fabric for the quilt. The offending green was abandoned and off to the fabric shop I went.



    Unfortunately, the pictures, taken during the crafting process and of the finished project leave much to be desired. That is the case for many of my early projects, partially because documenting the process was not at the forefront of my mind then and partially because I do not yet own proper camera.




    As far as labeling is concerned, I embroidered my sister’s name into the backing fabric. The first few quilts I made went without any sort of proper labelling. I usually embroidered the recipients name and sometimes the year of completion into backing fabric and left it at that.

    Recently, I have started to look into labelling properly. The idea of enabling some sort of identification and recording of the quilt related details like its name, the name of the recipient, maker and sometimes the occasion of gifting appeals to me. I have not made up my mind yet which is my favourite labelling technique but am looking forward to trying different things. The last two labels I made were painstakingly embroidered. That means something for someone as inherently impatient as me. One label has already found its home on my Late in Summer Quilt and the other one lays in waiting to be used for a future quilt I have in mind for a friend of mine.

    What do you label? Quilts only or each and every of your sewing projects?



    That green fabric still has to find a home by the way. It is lovely in itself but somehow refuses to gel with much else. I might just pair it with Black and White at some point and be done with it.